lingvo.wikisort.org - ResearcherElizabeth Azcona Cranwell (10 March 1933 – 2 December 2004) was an Argentine poet, storyteller, writer, translator, and literary critic. She was born and died in Buenos Aires, Argentina. She was on the faculty of Philosophy and Letters at the University of Buenos Aires. She was a teacher, teaching workshops and seminars. She was also a literary critic for the newspaper La Nación and a translator. She translated the poems of William Shand, the collected poems of Dylan Thomas, and the tales of Edgar Allan Poe.
In this Spanish name, the first or paternal surname is Azcona and the second or maternal family name is Cranwell.
Elizabeth Azcona Cranwell |
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Born | (1933-03-10)10 March 1933 Buenos Aires, Argentina |
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Died | 2 December 2004(2004-12-02) (aged 71) Buenos Aires, Argentina |
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Occupation | Poet, storyteller, writer, translator, and literary critic |
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Language | Spanish |
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Citizenship | Argentina |
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Genre | Surrealism |
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Azcona Cranwell was the "poeta hermana" of Alejandra Pizarnik,[clarification needed][1] and a contemporary of Joaquín Giannuzzi and Maria Elena Walsh.[2] She was the 1984 Konex Award laureate.[3]
Selected works
- 1955 - "Capítulo sin presencia"
- 1956 - "La vida disgregada"
- 1963 - "Los riesgos y el vacío"
- 1966 - "De los opuestos"
- 1971 - "Imposibilidad del lenguaje o los nombres del amor"
- 1971 - "La vuelta de los equinoccios"
- 1978 - "Anunciación del mal y la inocencia"
- "El mandato"
- 1987 - "Las moradas del sol"
- 1990 - "El escriba de la mirada fija"
- "La mordedura"
- 1997 - "El reino intermitente"
References
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На других языках
- [en] Elizabeth Azcona Cranwell
[es] Elizabeth Azcona Cranwell
Elizabeth Azcona Cranwell, (Buenos Aires, 10 de marzo de 1933, ídem, 4 de diciembre de 2004) fue una poeta, narradora, articulista, traductora y crítica literaria argentina.[1]
[fr] Elizabeth Azcona Cranwell
Elizabeth Azcona Cranwell, née le 10 mars 1933 à Buenos Aires et morte le 2 décembre 2004 dans la même ville[1], est une écrivain, traductrice et enseignante argentine. Elle était également critique littéraire pour le journal La Nación.
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